Intervention 2 – Add the nature sound corresponding to the painting – Feedbacks

1. Some thoughts in the audience selection process

Before I start my experiment, I will first use a few small questions to determine my audience. I hope my audience has at least one condition, that is, they are interested in art works. For example, they often go to art galleries, painting exhibitions and so on. I think at this stage, people who are interested in art may be the potential customers of my project.

Interestingly, of the eight people I found, all of them were art-related majors or regular art gallery goers. Some of them have bought gallery merchandise, but none of them have bought art paintings.

Moreover, when I asked them:’ Under what circumstances would you buy a work of art?’. They all mentioned 1) When i resonate with it 2) When I’m rich enough.

2. The results of the two questionnaires

Q1:Write down a few random words to express how you feel when you see this painting. If you don’t feel anything, you can write ‘No feeling’.

Without sound With sound
mottled Depression, fog
cozy,quitecozy
cloudy day, life, city, streetA woman walking along the
street in France,stepping on
the sycamore leaves, coughing,
good weather.
a little healing in the gloomNo more healing, feeling a little anxious
a little bit bluedelighted
no feelingA little more realistic, more relaxed
watercolor paintingstreet, walking, morning
no feelinga man is smoking outside and throw his rubbish

Q2: 1) Did this painting take your mind away? For example, remind you of some experience, a piece of art you’ve seen before, a movie, a melody, etc. 

without sound with sound

2) If yes, what is it? could you describe it briefly?

Without soundWith sound
a big teddy bear on a blue bincovid 19
a movie called Midnight in Pariswalking in the morning, only myself
Monet, Van GoghWalking on the way to school,
the sound of cars and walking sound,
the scene is also street scenery
a square in Nottinghamwhen I travel to the beach
MoviesLiving in London, Fleabag
Music: The Carousel of Life
a lawn in Nottingham

Q3: Please describe the degree to which you feel connected to the painting. (1 is the smallest and 5 is the largest.)

without sound with sound

3. Analysis

1)The sound can help the audience understand it better

Before I add sound to the painting, I asked the painter what he want to convey. He said he painted scenes or objects on the street that people would easily overlook. He wanted to convey the idea of slowing down and observing life.

Then I added some natural sounds, such as the sound of walking, the sound of birds, the sound of wind blowing, and the sound of passers, to assist the content transmission of the painting.

From the answer of Q2-2, I found that with the help of voice, their understanding and association are closer to the author’s original intention.

2) This painting is too complicated

This picture is composed of many small pictures, and too much content will easily cause confusion to the audience.

I think I can try an abstract or surreal painting for my next intervention, and I can add more sensory experiences.

3) Question: how can I balance the connection and the understanding? how can I acquire evidence that the audience connect with the artwork? (not by questionniare)

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